19 March 2013
Drastic Frivol 1 Kindle not moving, no surprise
My coauthor has done a great job of stocking venues in the bay area that carry zines with Drastic Frivol 1 - Dog Eared Books, Green Apple, City Lights Books. I've dropped some off as I travel - in Vancouver, Chicago, Oakland. Mostly I've given them away to friends and family.
I have been reading a lot recently, mostly on the European economic troubles and their social and political consequences, and on human right developments related to Africa and the middle east due to turbulent events in the last two years. The Human Rights Watch 2012 Report has an enormous amount of material on these regions.
There was a great (and scary) article in Le Monde Diplomatique: Drugs: the alternative economy of West Africa. This concerns destabilization of weak states, and how this leads to international exploitation. Specifically, in West Africa a sphere of influence now exists in which narcotics exporters from South America provide a major economic and political dynamic.
16 March 2013
Listening pleasures greatly expanded with discovery of the 3 apps.
WFMU - the greatest radio station around that I've found (freeform & as diverse as the brilliant and many radio hosts who devote their energy to this awesome project.) Already on the web, basic access to recent and historical radio archives open up an exhilerating cornucopia of eclectic and very specific investigations of exquisite audio. The app is even better - with control down to the individual track in historic archives. This is way ahead of its time. Random access to the past! Android & Apple variants of this brilliant app exist.
Vibe Vault - Up until now, I searched the archive.org live music archives via their web interface. This is quite cumbersome on a small device, especially late at night in bed when I really want to retreat into a historic live show. This app again organizes material wonderfully and allows random access to shows past, as well as some information as to the live performance. Note to those who don't know: there are 10s of thousands of shows archived here - many from bands you know and love. This is a grass-roots effort, not especially high fidelity sometimes, but WOW!
30 January 2012
30-01-12
Daily Gloom - Climate-driven heat peaks may shrink wheat crops. Projections show increased temperatures will reduce yields by 20% due to a shortened growing cycle and worse, wheat rust (a fungal disease) decimate up to 40% of harvests in North Africa, Middle East and Central Asia where higher temperatures and variability of rainfall has occurred.
It is kind of sad to see some of my year end letters return due to relocated friends and extended family. I have no idea where they live now and haven't had time to keep tabs.
Between two standards meetings SA2 88e/Elbonia and SA2 89/Vancouver we had only 2 and a half weeks. I can only blame myself I guess.
Unfortunately the 88e wiki didn't work out. No one used it.
02 August 2010
My rating: 5 of 5 stars
I'd give this book 6 stars if possible as it comes at just the right moment.
My good friend Klaus Hofmann taught this book in secondary school where it was mandatory reading (part of the canon in Germany till 20 years ago). The story concerns a 'good for nothing' who doesn't want to fit in, do the work, meet expectations of the middle class. So he sets out on a life with no bonds, claims or expectations. No single word is wasted here, as his entire destiny as a rebelling youth with a privileged (but not aristocratic) background meets with resistance at every level of society. Yet at the same time, he charms folks and has truly deep insights into beauty, decency and following his own ideals. Humor plays a fine aspect of the novel, in almost a cruel/magnificent Cervantes style.
The unrealistic, almost 'fairy tale' narrative structure could stand in the way for some. For me it emphasized that the events and characters in the book were not to be taken as realistic portrayals - they stood for larger than life ideas and poetically explored and glorified a certain bold rejection of common values. The 'Good for nothing' manages to overstep boundaries in a foolish but heroic approach to life and have a great time at it from beginning to end.
I'm not quite the kid I was in my early 20s who took off abroad for points indeterminate, but like the Taugenichts this trip was formative and set the stage for what would come next.
Klaus' most interesting point when we discussed the book was that rebellion against the middle class arises out of it, is an integral part of conventional classes whose members seek primarily to establish themselves. Their children don't always get with the program and even if to the extent they do, they may never fully accept it on others' terms.
Free electronic book: in German and in English translation. I haven't read the English translation so I can't say if it is any good, sorry.
View all my reviews >>
26 April 2010
A Year of Books
This list includes most of the books I read over the past 10 months.
| George R. R. Martin, A Clash of Kings Genre mix: Heroic fantasy, Political Thriller, Horror, Celtic Myth, Mystery Following the Game of Thrones, where forces were set in motion, the Clash of Kings sees these chains of consequences begin to spiral out of control. From a single king ruling over a long-stable configuration of rivals, five or six contending 'royals' have emerged. The Stark children must come of age and lose their innocence one step at a time. Already the story broadens its scope to include new elements and factions. | |
| George R. R. Martin, A Storm of Swords Genre mix: Heroic fantasy, Political Thriller, Horror, Celtic Myth, Military Fantasy Some of the initial cast of characters already arrive at a measure of stability, leaving room for a 'widening gyre.' The mystery element has receded replaced by an emphasis on a gritty military fantasy. Secondary factions and characters and their agents now become central to the story as the plot broadens and deepens. More background produces an increasing sense of doom and chaos. | |
| George R. R. Martin, A Gathering of Crows Genre mix: Heroic fantasy, Political Thriller, Horror, Celtic Myth, Tragedy This enormous tome concentrates mainly on the complete collapse of a major faction through a series of dreadful decisions. Many subplots move with reduced pace and dramatic density. Though remaining fascinating, the overall momentum of the series has become dense and gradual. The main sections of the tapestry hardly receive any thread, and those that make it into the loom show a repetitive pattern. One feels a great potential building on many fronts but less is resolved or advanced than in the previous books, each of which stood very well on their own. | |
| Jesse Winfield, My Name is Will Genre mix: Coming of age, Humor, Historical Fiction, Political Setting, trace 'Fantasy' elements Two stories of character and life development run in parallel. Willy Shakespeare Greenberg in Northern California of the 1980s and the Bard in the 16th century. Their stories play out episodically and lead both to similar challenges and opportunities to advance their strength of character. The author's humor and knowledge of the settings go a long way. The alignment of the two stories feels a bit too neat and the characterization distant enough that I at least did not identify or empathize very much with the protagonists. This was a fun book to read and I reread several of the short chapters before moving on, to savor them or figure out all that was going on. | |
| Kurban Said, Ali und Nino Genre mix: I generally enjoyed this tragic love story with its bigger than life protagonist, Ali. None of the characters had much depth though the situation presented a fascinating though sad sense of transition and loss. The author(s) overdid the 'mystic oriental' too much for my taste. The depiction of the 'oriental' felt superficial, neither convincing nor entertaining. | |
| Ursula K. Le Guin, The Lathe of Heaven Genre mix: Psychological thriller, Surrealism, 'High Concept' Science Fiction This fine short novel achieves more in a few pages than a whole series of paper bricks. The protagonist dares not sleep for his dreams sometimes come true; only he remembers the world as it was before his slumbering mind slipped reality into a new track. Enter a sinister psychologist and you have the perfect antagonism to explore the folly of technocracy, psychological research and the unflattering foundations of the human condition. Le Guin touches on a huge array of contemporary political and social issues. As quickly as she builds momentum, the plot twists and she takes the story in a new direction. | |
| Margaret Atwood, The Blind Assassin Genre mix: ... I didn't finish this book. I'm not sure where it will go, even after having read a half of it. I don't think one could make a screenplay out of this novel since its first 'plot point' is so long in coming! | |
| L. Frank Baum, The Lost Princess of Oz Genre mix: High Fantasy, Silly Kingdoms Ozma has disappeared and her court must seek and rescue her. The Oz franchise had accumulated an army of secondary characters (by this point, book 11 in the series.) One small silly kingdom after another, the rescuers advance. There's hardly an edge to the story and the outcome is never in doubt. Elijah (age 4) enjoyed this book immensely. | |
| Heinz Bude, Die Ausgeschlossenen Genre mix: Essay, Social Commentary, Investigative Journalism The author takes on the deepest and most troubling social problems of contemporary Germany. Though other countries would consider themselves lucky to have the problems described in this book (ennui in freefall with traces of opulence in subsidized housing...), other aspects can't be considered enviable at all. An entire generation and sector of working people in East Germany (and their families) became superfluous. Bude makes the case that the social order is not formed as a ladder of those above and below. Rather economic structures, opportunities and deeply held expectations separate those on the 'inside' from those who are 'excluded' from participation. As social protections decline and the likelihood of sustainable prosperity decreases, the observations in this book seem vital - at least to understand the logic of our current social problems. | |
| Yansuri Kawabata, The Master of Go Genre mix: Dramatic and Metaphorical Narrative, Historical Fiction A tale of a downfall reviealed from the first chapter then 'played out' as a kind of literary game. The central focus of the book - the master and his travails - only forms the surface of the book. The historical situation at the crux of a 'modern' Japan (in the 30s) and a feeling of an inevitable passing of traditional values pervades the book. Go provides an abstract schema for competition and life so in a way the author implies Japanese society and human life in a way goes through renewal through conflict. I felt a hint of postmodern writing (penned in the early 50s), as the author reflects on the story and the writing of it while events transpire. | |
| Niel Gaiman, The Graveyard Book Genre mix: Coming of age drama, Urban Fantasy, Horror My only regret in this fine adventure story was the beginning, reminiscent of Neverwhere. The spooky environment in which the protagonist grows up and his companions and adversaries resemble those in The Jungle Book. The story was consciously built around the same structures, substituting creepy Urban Fantasy for Jungle Fantasy and the 21st for the 19th century backdrop. The book builds up piece by piece, each one a little creepier and more exciting than the last. |
14 April 2010
I picked up a few used comic books and a very interesting volume: The Geography Coloring Book by Wynn Kapit.
My thought was to share this with my daughter Hannah, who at that time was 13 - interested in the world but not very savvy on where and what yet. She had no time for this back then and the volume got stuck into a cabinet. By chance I grabbed this volume last night, following a Spring Cleaning of my office. I looked at it fresh and read a few articles.
The general idea is quite appealing. Maps of different regions and polities emphasize major features and you color those in (with a colored pencil, using a photocopy of the images provided in the book.) This gives you a feeling of the actual contours, names and adjacencies of far away places. Since you draw it yourself there's a chance this enters into your brain from a different channel than merely scanning a picture.
Reading a bit further (text accompanies each picture, describes each country and geopolitical region) I was struck by the extremely political nature of even this cursory treatment of geography. The maps do not include resources or productive industry though the text does mention these briefly when they are quite notable. Mainly what are emphasized are borders and cities - major rivers and mountain chains and highest peaks are also present, but not colored in. What I've come to learn is that many borders are quite imprecise or disputed. It actually leads to the wrong impression to color in borders that either do not exist de facto,or only de facto but not legally, or are points of great tension. The maps and text cite only a few examples of territorial disputes such as the Western Sahara and Nagorno Karabakh.
Further complicating this are secessionist movements - or federal republics in dissolution. It is reasonable to draw a border around such places, but interesting also to note the lines of division - if there are any clear ones. Some geographies are so diverse in their population distribution that there are no clear lines that one can draw at all.
Most concerning of all, I found that the descriptions of different countries full of capsule judgments of their history, recent political events and their political system that were quite superficial and conventional; confirming stereotypical and facile interpretations of deep persistent problems. Just to name one example, the book blames the poverty and instability of Haiti on "corruption" and the Duvaliers. Such an explanation seems to do more harm than good. So much dreadful history and complicity swept away in a few words! I don't think you can develop a sense of the conflicts by coloring in pictures or reading a paragraph of text - at least not these pictures and this text.
21 October 2009
Branding Value
A NYT article on declining brand loyalty for automobile purchases intrigued me.
As the following graphic shows, this has been proceeding since the 80s.
The article claims the change in consumer behavior arose to a change in product quality and new options on the market. Purchasing behavior became focussed on value. I find that difficult to swallow for three reasons. Until recently most of the cars on the road had very little value in terms of economy, maintainability, safety and retention of value. Automobiles did not become homogeneous from the 90s onwards.
Cars have (at least historically) provided a strong personal statement - people very often identify with their car. As probably the most expensive appliance and the second or third most expensive item (after lodging and possibly health), a choice of vehicle is a well considered one.
Branding has increasingly become a dominant factor in sales. The corporate image, name and long running advertising messages have built for many products a form of identity for the brand that sells on its own. One often sees items (clothes, accessory, stationary, etc.) that prominently features brand imagery, though it seems to have no other intrinsic value. This tendency seems to choke off many forms of retail and product diversity. I see the same exact clothing retail venues in the center of cities (and airports) around the world during my frequent business travel. Despite the continually declining price of textiles, accessories and many other consumables - the range of merchandise seems quite uniform and plastered with the same logos. I have expected product quality and utility to diminish to the point that only a giant brand name placard remains.
The decline in diversity of offerings arises due to the intrinsic interest of market dominating concerns to push their leading brands into as many hands as possible. A 'brand franchise' has invested so much into advertising that any further diversification of the products associated with the brand threatens to dilute its value. The example of games comes to mind. American toy and game manufacturers appear to prefer to push the same set of games into every household than introduce new products. Thus, when one approaches the game rack in a retail outlet aimed entirely at mass consumption (e.g. Walmart) - the game selection available has hardly changed in 40 years! (One still sees Scrabble, Sorry!, Clue, Monopoly, etc.) Outside of this sphere of brand stasis, the game market has exploded with an increasingly rich range of products available only as repackaged imports in the U.S..
Anti-competitive practices (e.g. Microsoft successively devouring different sectors of the software industry) result in further declines in diversity, of course. The Microsoft brand has an inevitability for the consumer (the long-standing assumption was without it, one cannot get work done). However, it is doubtful whether monopolists like Microsoft have created brand loyalty by suppressing alternatives.
Similar trends to automobiles exist for other products - for example, for cigarettes. Even in 1994, Marlboro began to discount and respond to loss of established brand identification as a means to dominate a consumer market.
I wonder if brand-based consumption as an esthetic may be on the wane. I cannot hope that consumption patterns themselves have diminished, but perhaps compulsive purchases (of items that deplete, such as soaps, food, feul...) will transition to a more rationalized set of options - perhaps allowing for more diversity and an entry to local suppliers. For large purchases (discretionary items such as consumer electronics, or compulsory ones - for example, a vehicle) more attention to value arise. For the remainder of purchases in the 'habitual consumption' or 'mandatory but gradual accumulation' categories - I can only hope that brand lock-in will wane at this point, as western consumers become aware of their finite means.
This pausing in consideration of 'what should I buy?' could mean better products. Perhaps merely asking that question may result in an unexpected answer: 'Nothing!' Though this doesn't swell 'growth of economies' I would warmly welcome less spending for its own sake!